THE VIEW FROM THE CHEAP SEATS
By Neil Gaiman
Neil Gaiman is a prolific author whose interests run to just about everything. He has written journalism and criticism, comics and graphic novels, science fiction, fantasy and horror, children’s books, and screenplays.
The View from the Cheap Seats is a selection of Gaiman’s non-fiction that puts this eclecticism on full display. Included here are essays, public lectures, interviews, forewords and afterwords, introductions and even reportage from the refugee crisis in Syria. The subjects dealt with range from appreciations of individual novelists (classic and contemporary, from Poe and Lovecraft to Douglas Adams and Stephen King), to thoughts on genre fiction, movies, music, and more.
The tone is gentle and genial throughout. Most of these pieces are explanations of why Gaiman likes someone or something so much. So The 13 Clocks by James Thurber “is probably the best book in the world,” The Bride of Frankenstein is “my favorite horror film,” and “Where Lou Reed is concerned I lose all critical faculties. I like pretty much everything he’s ever done.”
There are slack moments. It’s a big book and the praise sometimes slides into banality or hyperbole. A few of the more frankly promotional pieces might have been cut.
The core of it, however, offers up a thoughtful consideration of the writing life and an earnest and practical guide on how to live it. Gaiman keeps coming back to the question of what writing is for, and as he goes along he provides a lot of helpful tips – often by way of concrete examples – on how to “make good art.” This is what matters.
The title, which comes from Gaiman’s account of attending the Academy Awards in 2010, points to a nice dual perspective. Sitting in the mezzanine at the Oscars Gaiman is a wry observer of the proceedings, but he’s also gathering material. These are roles he often plays in these essays: performer and audience member, the fan and the man at the podium saying a few words. In either role, however, he is a writer at work, and loving what he does.
Review first published in the Toronto Star June 11, 2016.