The survivors will be safe because the CSI state (“stupendous filing systems, IBM machines tirelessly sorting punch cards, one thing being checked against another”) isn’t yet fully developed and because nobody talks about fight club (i.e., what happened on the river). Though Ed is telling us the story, which may make us wonder.
In any event, the inspiration for Palahniuk’s novel is hard to miss. Lewis is Tyler Durden, so muscular he has veins even in his gut and obviously a focus of homoerotic attention for the narrator. He offers a kind of violent salvation. The city men are stuck in “the long, declining routine” of their lives. Ed, stricken with apathy and looking for a way out of his professional rut (sliding, or “living by antifriction”), is also an American type, like Thoreau looking to live deep and suck out all the marrow of life. The canoe trip will be his release, his deliverance from a fake reality.
Does it still resonate nearly fifty years later? I would have thought the men’s movement’s return to the woods (Iron John, etc.) would have dated it more, but I guess given the success of Fight Club we’d have to say part of it very much still works. The river is gone, but it’s like a primitive, submerged stream of unconsciousness even in our digital minds.