Hitler: Ascent

HITLER: ASCENT, 1889 – 1939
By Volker Ullrich

Another biography of Hitler? And not just another, but another great big biography of Hitler?

Hitler: Ascent, which takes us from Hitler’s birth to his fiftieth birthday, runs nearly 1,000 pages and is only the first part of a two-volume set, a massiveness that recalls Ian Kershaw’s epic treatment of the same subject (Hubris and Nemesis).

But yes, another big biography is necessary, and for several reasons.

In the first place because the demand is there. Hitler has been one of the most studied figures in all of history, to the point where whole books have been written about the books that have been written about him, but interest remains higher than ever in the twenty-first century.

Second, while most of the story has been thoroughly researched and is well known, new information (not all of it reliable) keeps coming out in dribs and drabs, mostly in the form of diaries or letters located in archives. The complete diaries of Goebbels, for example, turned up after Kershaw had finished his work, and missing parts from the diaries of Himmler were only discovered earlier this year.

And finally another biography is necessary because Hitler is always with us, with every right-wing demagogue and tin-pot dictator who comes along inevitably made out by the media to be this reincarnation. There’s even something called Godwin’s law that says that the longer any online discussion goes on, sooner or later someone will compare someone or something to Hitler. He’s inescapable.

Given Hitler’s continuing cultural presence it behooves us to have a fuller understanding of the man, one that explains the meaning behind the myth and places him in his appropriate context.

That context is complex, but Ullrich makes it accessible, judiciously balancing his analysis betwen the personal and the political. Difficult patches like the Nazi’s seizure of power, and how near-run a thing it was, are clearly described, while a sensible discussion is provided of what can be said about Hitler’s personality. In style and tone it is closer to the work of Joachim Fest than that of Kershaw, which shouldn’t come as too big a surprise given that both Fest and Ullrich come from a background in journalism whereas Kershaw is an academic. Ullrich, even in translation, is far easier to read than the precise but dull-as-dust Brit.

Ascent won’t be the last word, because there can never be a last word on Hitler. But this is an excellent bio — authoritative, up-to-date, and readable — that has given us a Hitler for our time.

Notes:
Review first published in the Toronto Star September 25, 2016.

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