This year found the annual spring clean-up at my house taking on an added dimension. After extensively remodeling three other rooms, I finally came to the holy place where I keep my books. This forced me into special considerations. I definitely didn’t want any paint getting on my library. Just to be on the safe side I decided to put most of my books into boxes and move them well out of harm’s way.
The thought of putting these “moldering paper bricks” into temporary storage made me reflect. Once packed away, which books would ever come out again? I have room for about 1,500 volumes on my shelves, but I reached capacity some time ago and every week there are more coming in. Drastic times called for drastic measures. Several boxes were going to have to be put away for an indefinite period. How to choose?
Continue reading “Spring Cleaning”
I attended the University of Toronto as both an undergraduate and graduate student from 1987 to 1996. In hindsight, we might say that these years marked the highpoint of the campus culture wars, before “politically incorrect” became the name of a bland late-night talk show. I can’t say that it was bliss in that dawn to be alive, but as an English student I did feel very much in the middle of things.
One of the offshoots of the political correctness debate in English departments everywhere was the campaign to update the “canon.” What this meant was opening the list of what had become more or less established texts to new voices. Certain writers, it was argued, had been unfairly excluded from the canon in the past. “Canon maintenance” was an expression on every young academic’s lips. It all seemed very important.
Continue reading “The Shrinking Canon”
It is one of the ironies of postmodernism that Roland Barthes’s claim to literary immortality comes from having pronounced the “death of the author.” What he meant was that an author’s intentions in creating a text are irrelevant in interpreting that text. The death of the author was life for the critic.
Academics immediately fell in love with the notion because it seemed to place them on an equal footing with genius. Meanwhile, authors who knew what Barthes’s theory amounted to were powerless to do anything about it. The announcement of the death of the author came after the fact, recognizing a dramatic shift in cultural power that had already occurred.
Continue reading “The Death of the “Author””
The headline of the BBC report announcing the results said it all: “Top 100 books are child’s play.” In a poll to determine the nation’s favourite reads, children’s books made up over a third of the titles chosen. From classics like Black Beauty and Winnie the Pooh to all four installments (thus far) of the Harry Potter franchise, kid stuff ruled.
The news comes hard on the heels of a piece I wrote recently on the new popularity of children’s lit. What set me off then was a column by Philip Marchand in the Toronto Star on the gender gap among readers. What I found even more interesting was the age gap. According to Professor David Booth at the Ontario Institute for Studies in Education (OISE) at the University of Toronto, “Boys stop reading fiction at the age of 12 or 13 . . . If they read a novel after that, it’s because they’ve been told to in school.”
There was probably some explanation here of why The Lord of the Rings and The Catcher in the Rye hold top spot on all of those “favourite book” lists. These may be the last books many people have read. And if reading is a childhood activity, is it any surprise that Britain’s Top 100 are “child’s play”?
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“Since Americans have recently found it more comfortable to see where they have been than to think of where they are going, their state of mind has become increasingly passive and spectatorial. Historical novels, fictionalized biographies, collections of pictures and cartoons, books on American regions and rivers, have poured forth to satisfy a ravenous appetite for Americana. This quest for the American past is carried on in a spirit of sentimental appreciation rather than of critical analysis. An awareness of history is always a part of any culturally alert national life; but I believe that what underlies this overpowering nostalgia of the past fifteen years is a keen feeling of insecurity. . . . American history, presenting itself as a rich and rewarding spectacle, a succession of well-fulfilled promises, induces a desire to observe and enjoy, not to analyze and act. The most common vision of national life, in its fondness for the panoramic backward gaze, has been that of the observation-car platform.” – Richard Hofstadter
The introduction to Hofstadter’s classic 1948 text The American Political Tradition and the Men Who Made It helps remind us of the reason for reading history in the first place. While every generation probably considers itself living through an age of insecurity, when I came across this description of America’s “observation-car platform” attitude toward its past it seemed more relevant now than ever. Wasn’t the current occupant of the White House said to be reading John Adams by David McCullough – a rather sentimentally inclined historian whose only flirtations with controversy have been the result of his gilding the historical lily? And what was this news out of Texas, that has policy groups lobbying the state Board of Education over which history textbooks are to be used? According to a story in the New York Times, standard school texts regularly give history a “facelift”: “Today’s books, and standardized tests issued by the same publishers, not only portray each minority as heroic, but every group (and each sex) is airbrushed to eliminate the possibility of stereotyping.” While suggesting that there is “nothing new about this” (Hofstadter would have agreed), the story concludes by asking, “Are books now more bland and mythical than before?”
Continue reading “History Lessons”